The title alludes to the expression "the wolves are full, and the sheep are safe," where everyone is satisfied and everything has found equilibrium and a new balance. The painting captures the "after" moment, of complete relaxation and serenity, inviting the viewer to physically "connect" to the action (or inaction) of reclining on the grass and contemplating the pastoral scene with sheep.
The "white spot," or the only clothing in this painting, are stockings (and they are almost off), which cover the most intimate part—the feet—the projection site of the entire human body (a multitude of acupuncture points), the foundation of the entire pasture; in a way, the beginning, the base, and, ultimately, the most vulnerable (Achilles' heel). Meanwhile, against this backdrop, the general nakedness becomes natural. Self-liberation allows one to live the moment with one's whole being and nature, conveying an unshakable integrity and the "unbearable lightness of being," which would later give the title to another of my paintings in this series.
