This triptych, comprising three A3 paintings.

This painting leads us from relaxation to disappearance. The heroines gradually dissolve further and further into the landscape.

The triptych clearly shows the sequence of this "dissolution": on the first page, the heroine "succumbs" only to the multiplied horizon lines, while on the last, the water erases the boundaries of her body.

Now they are part of the heroines themselves; they have become grass, water, topography: they enter the water, and the water enters them.

Another subtle layer of this painting is the alternating signs of civilization (the pool's handrails) and nature (the submerged trees), which do not give us a clear answer as to where the action takes place or what kind of water it is.