Rage belongs to a series of landscapes devoid of human presence, photographed along the Baltic coast in the Kaliningrad region. The image focuses on the surface of the sea as it surges across the frame, with only a small cluster of dark posts or rocks visible at the lower edge. Rather than offering a stable view of place, the work presents the coastline as a field of force shaped by water, weather and motion.

The title refers to the intensity of the sea’s movement. Here, rage is not treated as a human emotion projected onto nature, but as a way of naming an elemental condition that exceeds human scale and control. The waves do not form a dramatic scene for a viewer; they operate as part of an autonomous environment in which turbulence, pressure and repetition define the image.

Created using analogue photography, the work retains the grain and tonal softness characteristic of the medium. The long exposure transforms the water into a blurred, restless mass, softening its details while preserving its force. As a result, the image moves between observation and abstraction, allowing the sea to appear as a shifting presence whose energy resists containment.