Hair belongs to a series of landscapes devoid of human presence, photographed in a natural environment where stone, grass and weather meet without any trace of human intervention. The image focuses on a dense surface of dried grass spread across the ground in flowing strands, with fragments of rock entering the frame at its edges. The landscape is presented not as a backdrop for human experience, but as an autonomous field shaped by seasonal change, pressure and time.

The title introduces an anthropomorphic association, as the grass resembles loose hair gathered across the earth. This resemblance remains unstable and does not turn the scene into a portrait or narrative image. Instead, it draws attention to the way natural forms can briefly echo the body while remaining fully part of a wider ecological field. Through this posthuman perspective, the work displaces the human figure from the centre and allows the landscape to suggest its own forms of presence.

Created using analogue photography, the image retains the grain and tonal softness characteristic of the medium. The fine texture of the grass is rendered with particular clarity, while the monochrome palette reduces the scene to subtle contrasts between light and shadow. As a result, the observed landscape becomes suspended between documentation and projection, where a simple patch of ground acquires a quiet bodily resonance without losing its material specificity.